Lastly, House of the Dragon should revert to GoT’s formula of shocking the audience when they least expect it. In answering this question, Rhaenyra’s relationships with her father (King Viserys I) and uncle (Prince Daemon) will be paramount, leaving no room for compromise in the struggle between power and love, ambition and faith, one woman’s resolve and an entire civilisation’s patriarchy. The key question that will define House of the Dragon is whether Princess Rhaenyra, the old king’s first born, gets to become the first woman to rule over the Seven Kingdoms. In other words, viewers should know what the Targaryens stand for, both individually and collectively, in the absence of which they can neither root for nor resent the family with any degree of sincerity. For this to happen, the Targaryen characters must be dovetailed using common themes, motives and traits, which helped bind families like the Starks, the Lannisters and the Tyrells. The next element House of the Dragon should get right is the intricacy of the storytelling, which used to be what set GoT apart from most other sweeping fantasies. Intricate storytelling that dovetails characters For context, imagine what Season 8 could have been with a fearsome dialogue between Cersei Lannister and Daenerys and a proper face-off between Jon and the Night King. This means that fans should not be lamenting over missed opportunities when it comes to epic exchanges between leads. With a narrower horizon to work with – expect most scenes to revolve in and around the court – House of the Dragon should also offer an ample supply of “great conversations in elegant rooms”, which used to be a hallmark of the initial GoT seasons. In doing so, they could follow the lead of Theon Greyjoy, who went from evoking indifference to disgust to pity among viewers, instead of the trajectory reserved for Daenerys, Varys or even Jon. To begin with, it must do justice to character arcs and not reduce them to caricatures at the most pivotal moments. So what does House of the Dragon need to do to bring alienated fans back on board? Here’s a formula that has served GoT well and would stand its prequel in good stead too.ĭevelop character arcs, not reduce them to caricatures Martin - the writer whose series, A Song of Ice and Fire, inspired GoT - to count on, House of the Dragon has been shaped with tremendous allegiance to Martin’s novel on the Targaryens, called Fire and Blood. Unlike the eighth season, which had no reference material from George R.R. Reports indicate that with far more time and resources at its disposal, House of the Dragon will be far better paced and more structurally coherent than GoT’s last season. But even before the new show can fulfil its role as the canary in the content mine, it needs to redeem the GoT franchise from its nadir – a woefully disappointing eighth season that turned the show’s foremost heroine, Daenerys, into a medieval dictator overnight, made the ingenious Lord Varys die as a pitiful dimwit, gave Jon compulsive cognitive dissonance and placed Bran Stark in charge of the Seven Kingdoms simply because “who has a better story than Bran?” (at least eight other characters, perhaps). Five spin-offs (including one centred on Jon Snow) are expected to follow House of the Dragon in building the GoT legacy. On face value, House of the Dragon is set to be a litmus test for HBO’s emulation of the Marvel model, wherein a franchise becomes a never-ending universe of action, drama and controversy.
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